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RICHARD SCHMID
Private Collection Listings
All dimensions are listed in inches.
Citations for published and exhibited works can be found in the downloadable price list.
Click on any image or description to view larger images and scroll through the gallery.
APACHE TRAIL
1988
oil on canvas
18 x 24 unframed
27 x 33 framed
Published and exhibited
Apache Trail was painted en plein air in the Tonto National Forest, Arizona, in 1988. This oil painting is a stunning example of dry brush and turpentine wash techniques.
CITATIONS
Price Tower Exhibition. July 2021, Price Tower Arts Center, Bartlesville, Oklahoma.
Alla Prima - Everything I Know About Painting by Richard Schmid (1998). Stove Prairie Press, p. 13.
The Landscapes Enhanced Edition by Richard Schmid (2017). Stove Prairie Press, pp. 126 -127.
oil on canvas
18 x 24 unframed
27 x 33 framed
Published and exhibited
Apache Trail was painted en plein air in the Tonto National Forest, Arizona, in 1988. This oil painting is a stunning example of dry brush and turpentine wash techniques.
CITATIONS
Price Tower Exhibition. July 2021, Price Tower Arts Center, Bartlesville, Oklahoma.
Alla Prima - Everything I Know About Painting by Richard Schmid (1998). Stove Prairie Press, p. 13.
The Landscapes Enhanced Edition by Richard Schmid (2017). Stove Prairie Press, pp. 126 -127.
BENGAL TIGER
1970
oil on panel
8 x 12 unframed
14 x 18 framed
Richard produced a small handful of tiger and lion studies during the 1970's. He would visit the big cat exhibits in various New York City zoos for inspiration.
oil on panel
8 x 12 unframed
14 x 18 framed
Richard produced a small handful of tiger and lion studies during the 1970's. He would visit the big cat exhibits in various New York City zoos for inspiration.
SEATED FIGURE WITH PINK VEST
1974
oil on canvas
12 x 16 unframed
18 x 22 framed
oil on canvas
12 x 16 unframed
18 x 22 framed
THIRD AVENUE
1975
oil on panel
12 x 16 unframed
20½ x 24½ framed
oil on panel
12 x 16 unframed
20½ x 24½ framed
SYCAMORE
1971
oil on canvas
24 x 35 unframed
36 x 48 framed
Published and exhibited
"Whenever I came upon this scene, I was captivated by the dance these two trees seemed to be doing together." ~ Richard Schmid, THE LANDSCAPES
Richard had a particular affinity for painting the Connecticut landscape partly because of the lack of industry in bedroom communities such as Gaylordsville, where he painted this landscape en plein air. Featured in several of his books, Richard writes extensively about the process of painting this scene in his first landscape book, Richard Schmid Paints Landscapes.
CITATIONS
Richard Schmid: A Retrospective (2003). The Butler Institute of American Art, Youngstown, Ohio.
Also appears in show catalogue p. 12.
Richard Schmid Paints Landscapes by Richard Schmid (1975). Watson-Guptill, p. 50.
The Landscapes by Richard Schmid (2009). Stove Prairie Press, p. 63.
The Landscapes Enhanced Edition by Richard Schmid (2017). Stove Prairie Press, p. 63.
oil on canvas
24 x 35 unframed
36 x 48 framed
Published and exhibited
"Whenever I came upon this scene, I was captivated by the dance these two trees seemed to be doing together." ~ Richard Schmid, THE LANDSCAPES
Richard had a particular affinity for painting the Connecticut landscape partly because of the lack of industry in bedroom communities such as Gaylordsville, where he painted this landscape en plein air. Featured in several of his books, Richard writes extensively about the process of painting this scene in his first landscape book, Richard Schmid Paints Landscapes.
CITATIONS
Richard Schmid: A Retrospective (2003). The Butler Institute of American Art, Youngstown, Ohio.
Also appears in show catalogue p. 12.
Richard Schmid Paints Landscapes by Richard Schmid (1975). Watson-Guptill, p. 50.
The Landscapes by Richard Schmid (2009). Stove Prairie Press, p. 63.
The Landscapes Enhanced Edition by Richard Schmid (2017). Stove Prairie Press, p. 63.
AZALEAS
1967
oil on canvas
30 x 40 unframed
41 x 51 framed
Published and exhibited
AZALEAS, a rich, impasto painting was produced from life in Schmid's Connecticut studio. He paid homage to his mother, Hazel Schmid by featuring a single crystal cordial from her formal dinning set.
CITATION
Richard Schmid: A Retrospective (2003). The Butler Institute of American Art, Youngstown, Ohio.
Also appears in show catalogue p. 9.
oil on canvas
30 x 40 unframed
41 x 51 framed
Published and exhibited
AZALEAS, a rich, impasto painting was produced from life in Schmid's Connecticut studio. He paid homage to his mother, Hazel Schmid by featuring a single crystal cordial from her formal dinning set.
CITATION
Richard Schmid: A Retrospective (2003). The Butler Institute of American Art, Youngstown, Ohio.
Also appears in show catalogue p. 9.
JAN AND BETTINA
1965
oil on canvas
40 x 30 unframed
49 x 39 framed
Published and exhibited
*Includes apron framed under glass
oil on canvas
40 x 30 unframed
49 x 39 framed
Published and exhibited
*Includes apron framed under glass
JAN SCHMID'S APRON
Accompanies the painting
JAN AND BETTINA
26½ x 26½ framed under glass
The apron worn by Jan Schmid was gifted to her oldest daughter, Bettina.
JAN AND BETTINA
26½ x 26½ framed under glass
The apron worn by Jan Schmid was gifted to her oldest daughter, Bettina.
MR JINX
1963
oil on canvas
30 x 40 unframed
48½ x 38 framed
Published
oil on canvas
30 x 40 unframed
48½ x 38 framed
Published
CARNATIONS
1972
oil on canvas
24 x 32 framed
33 x 41 framed
Published and exhibited
oil on canvas
24 x 32 framed
33 x 41 framed
Published and exhibited
SKETCH OF JAN
1963
conte on paper
22 x 16 unframed
32 x 26 framed
conte on paper
22 x 16 unframed
32 x 26 framed
CARIBBEAN HOUSE
1973
oil on canvas
18 x 24 unframed
24 X 32 framed
Published
oil on canvas
18 x 24 unframed
24 X 32 framed
Published
SELF PORTRAIT
1972
oil on panel
16 x 12 unframed
20½ x 16½ framed
oil on panel
16 x 12 unframed
20½ x 16½ framed
CASTEL SANT'ANGELO, ROME, ITALY
1969
conte on panel
24 x 38 unframed
28 x 42 framed
conte on panel
24 x 38 unframed
28 x 42 framed
PORTRAIT OF BETTINA (Inscribed)
1991
oil on canvas
24 x 18 unframed
34 x 27 framed
oil on canvas
24 x 18 unframed
34 x 27 framed
PORTRAIT OF GRETCHEN
1994
oil on canvas
22 x 14 unframed
30½ x 22¼ framed
oil on canvas
22 x 14 unframed
30½ x 22¼ framed
SAN MARGARITA, ITALY
1967
oil on canvas
12 X 14 unframed
19 x 21 framed
Published and exhibited
oil on canvas
12 X 14 unframed
19 x 21 framed
Published and exhibited
BEN LUHAN
1968
oil on canvas
12 x 21 unframed
Framing assistance/credit offered
oil on canvas
12 x 21 unframed
Framing assistance/credit offered
GUADELOUPE PALM GROVE
1977
oil on canvas
18 x 24 unframed
27 x 33 framed
Published
oil on canvas
18 x 24 unframed
27 x 33 framed
Published
STANDING NUDE
1976
conte on panel
31 x 21 unframed
39 x 29 framed
conte on panel
31 x 21 unframed
39 x 29 framed
PONDEROSA LOGS, RIO HONDO
1963
oil on canvas
11 X 14 unframed
21 x 18 framed
oil on canvas
11 X 14 unframed
21 x 18 framed
WHITE TAILED DEER
1971
rare silkscreen serigraph - 1 of 35
21 x 16 unframed
29 x 24 framed
This is number one of thirty-five hand-made silkscreen prints produced from the silkscreen press, which Richard made in his workshop. Though Richard is widely known for his abilities as an artist, few realize he was also an expert designer and wood craftsman. He designed and built most of the equipment in his studio, including counterweight easels, pochade boxes, bookcases, and, of course, the printing press used to create this work of art.
rare silkscreen serigraph - 1 of 35
21 x 16 unframed
29 x 24 framed
This is number one of thirty-five hand-made silkscreen prints produced from the silkscreen press, which Richard made in his workshop. Though Richard is widely known for his abilities as an artist, few realize he was also an expert designer and wood craftsman. He designed and built most of the equipment in his studio, including counterweight easels, pochade boxes, bookcases, and, of course, the printing press used to create this work of art.
SUSAN WISE
1971
oil on canvas
20 x 24 unframed
28 x 32 framed
Published and exhibited
oil on canvas
20 x 24 unframed
28 x 32 framed
Published and exhibited
NUDE
1975
watercolor on paper
30 x 20 unframed
37¾ x 28¾ framed
watercolor on paper
30 x 20 unframed
37¾ x 28¾ framed
MOLLY SEWING
1981
16 x 20 unframed
24 x 28 framed
16 x 20 unframed
24 x 28 framed
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